Ecology
At the same time, however, mass environmental injustice plagues Appalachia. Beginning with European colonization of Indigenous lands and continuing with highly extractive coal mining, Mountaintop Removal Mining, and the attempted installation of massive pipelines, industrial capitalism continues to take its toll on the region. These extractive processes have resulted in immense harm to both humans and non-human nature throughout the region.
Many of the artists depicting Appalachia reflect this juxtaposition between environmental beauty and destruction in their work. Whether directly addressing specific instances of injustice, using scavenging assemblage methods to repurpose "trash" around them, or blurring the lines between "human" and "nature," LGBTQ+ Appalachian artists rarely remain neutral when it comes to the ecology of the region.
This page has paths:
- Themes Maxwell Cloe
Contents of this path:
- A woman alone in the woods sees her own reflection
- Beadwork Necklace
- Charles Williams' House and Yard
- Chemical Bonds
- Corn Boy
- Ecosex Wedding to the Appalachian Mountains
- Ecosexuality
- The Food of Boyhood
- forest cruise
- Friends
- God Willing and the Creek Don't Rise
- Homesick Punk Possum
- In Admiration
- Investing in Fall
- Kentucky Imperial Agate Bolo Tie
- Mountain Faces
- Patch Work
- Pencil Holders
- Plant Cyanotypes
- Pride Moth Pins
- Salty Gumdrop Tree
- Slate Lines
- Speak of Inez with Love I
- Speak of Inez with Love III
- The Conception of Ishmael; The Visage Fantastic of a Dirty Man, Clean
- The Red Tulips
- Trout Mountain
- Untitled (Landscape)
- Untitled Stump Sculptures
- Wild Ramp and Morel Mushrooms are Girlfriends